Andy Warhol
Marilyn Monroe (F & S II.24), 1967
Screenprint on paper
91.4 x 91.4 cm.
36 x 36 in.
36 x 36 in.
Outside of the Edition
Signed in pencil on the verso, with the AWAAB authentication stamp and annotated in ball point pen A119.962
Unnumbered.
Unnumbered.
Among Warhol's most celebrated works are his portraits of Marilyn Monroe, which epitomise his distinctive style and the themes that inspired him. This portfolio plays a pivotal role in the...
Among Warhol's most celebrated works are his portraits of Marilyn Monroe, which epitomise his distinctive style and the themes that inspired him. This portfolio plays a pivotal role in the popularisation of Pop Art, elevating Monroe’s status as a central figure in both visual art and entertainment. The black, white, and grey version of Monroe's portrait stands in stark contrast to the vibrant, surreal colours of the other prints. The monochromatic tones evoke the classic allure of the silver screen, underscoring her Hollywood starlet persona and her perceived inaccessibility. This colour scheme also subtly acknowledges Monroe’s tragic passing, as the series was created a few years after her death in 1962.
Warhol's earlier work, the Marilyn Diptych, featured a repeating image of Monroe that faded progressively, serving as a tribute to the late actress. His exploration of Monroe’s image evolved into a lasting homage, capturing her in a state of eternal fame. The black-and-white print in this series might suggest Warhol’s deeper interest in the real person behind the Hollywood façade, reflecting on both the public’s idealisation and the suffering that accompanies such fame. Monroe's status was amplified even in death, illustrating society’s fascination with celebrity culture, fame, and consumerism.
This series can be seen as a satire of the public’s obsession with stars, and potentially a self-reflective critique of Warhol’s own quest for immortal fame, akin to that of Monroe and other idols. As an icon of American entertainment, Monroe's life embodies a poignant blend of beauty, fame, and mortality.
Warhol's earlier work, the Marilyn Diptych, featured a repeating image of Monroe that faded progressively, serving as a tribute to the late actress. His exploration of Monroe’s image evolved into a lasting homage, capturing her in a state of eternal fame. The black-and-white print in this series might suggest Warhol’s deeper interest in the real person behind the Hollywood façade, reflecting on both the public’s idealisation and the suffering that accompanies such fame. Monroe's status was amplified even in death, illustrating society’s fascination with celebrity culture, fame, and consumerism.
This series can be seen as a satire of the public’s obsession with stars, and potentially a self-reflective critique of Warhol’s own quest for immortal fame, akin to that of Monroe and other idols. As an icon of American entertainment, Monroe's life embodies a poignant blend of beauty, fame, and mortality.
Publications
Frayda Feldman, and Jörg Schellmann. "Andy Warhol Prints: a Catalogue Raisonne 1962-1987." (2003) ii.278.アンディパエディションメーリングリストに登録する
* denotes required fields
We will process the personal data you have supplied to communicate with you in accordance with our Privacy Policy. You can unsubscribe or change your preferences at any time by clicking the link in our emails.