Francis Bacon, after Study for Portrait of John Edwards, (1986), 1987

Edition of 180 with Arabic numbering, together with a number of H.C. (Hors Commerce) and E.A. (artist proofs). Inspired by the painting of the same title in the collection of a private collector.

After Study for a Portrait of John Edwards is a deeply personal tribute to Bacon’s close bond with John Edwards, who became a trusted companion and emotional anchor later in Bacon’s life. Unlike Bacon’s earlier tumultuous relationships, his connection with Edwards was marked by genuine friendship and understanding, reflected in the intimate and emotionally charged portrayal of Edwards in this work.

The portrait presents Edwards as a nude figure framed by stark architectural elements, evoking isolation and existential themes. The dark doorway behind him symbolises the unknown, hinting at the fleeting nature of existence, while his shadow and geometric framing suggest a sense of confinement and fragility. Bacon's use of photographic references, rather than live models, allowed him to blend realism with imaginative distortion, giving the portrait a collage-like effect that heightens its emotional impact.

This work represents a significant moment in Bacon’s mature artistic vision, marked by his exploration of mortality, isolation, and the human condition, yet softened by his personal connection to Edwards. The painting’s restrained colour palette and serene composition convey a sense of calm, reflecting the peace Bacon found in his relationship with Edwards during the final chapter of his life and career.

For further information on the original painting please visit the Francis Bacon Estate page: https://www.francis-bacon.com/artworks/paintings/study-portrait-john-edwards-1

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