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Artworks
Francis Bacon
after the central panel of the Triptych (1987), 1989
Lithograph on Arches paper
Sheet: 94.6 x 67.9 cm. 37 1/4 x 26 3/4 in.
Image: 68.5 × 55.5 cm. 27 x 22 in.
Image: 68.5 × 55.5 cm. 27 x 22 in.
Edition of 180 (plus proofs)
Signed in pencil lower right
£11,500 GBP
Further images
Edition of 180 with Arabic numbering, together with a number of H.C. (Hors Commerce) and E.A. (artist proofs). Inspired by the painting of the same title in the collection of...
Edition of 180 with Arabic numbering, together with a number of H.C. (Hors Commerce) and E.A. (artist proofs). Inspired by the painting of the same title in the collection of a private collector.
In the central panel of after Triptych 1987, Bacon masterfully uses colour to heighten the emotional and psychological intensity of the work. The bold, vivid orange that frames the central figure creates a sense of urgency and tension, symbolising chaos and internal turmoil. This contrasts with the cool, soft blue background, which evokes feelings of detachment and isolation, emphasising the figure’s alienation.
The distorted, grotesque figure, rendered in fleshy, sickly tones, stands out against the contrasting colours, highlighting the vulnerability and decay of the human body. The dark grey-green tones at the bottom of the panel ground the composition and suggest themes of decay and death, contributing to the oppressive atmosphere.
Bacon’s use of blurred colours in the grey-green area adds a sense of fluidity and ambiguity, reinforcing themes of instability and transformation. The intense and contrasting colours in the piece may also reflect Bacon's personal struggles with identity and sexuality, symbolising his internal conflict and emotional turbulence. Overall, Bacon’s strategic use of colour amplifies the psychological impact of the work, immersing the viewer in a disturbing, emotionally charged landscape.
For further information on the original painting please visit the Francis Bacon Estate page: https://www.francis-bacon.com/artworks/paintings/triptych-4
In the central panel of after Triptych 1987, Bacon masterfully uses colour to heighten the emotional and psychological intensity of the work. The bold, vivid orange that frames the central figure creates a sense of urgency and tension, symbolising chaos and internal turmoil. This contrasts with the cool, soft blue background, which evokes feelings of detachment and isolation, emphasising the figure’s alienation.
The distorted, grotesque figure, rendered in fleshy, sickly tones, stands out against the contrasting colours, highlighting the vulnerability and decay of the human body. The dark grey-green tones at the bottom of the panel ground the composition and suggest themes of decay and death, contributing to the oppressive atmosphere.
Bacon’s use of blurred colours in the grey-green area adds a sense of fluidity and ambiguity, reinforcing themes of instability and transformation. The intense and contrasting colours in the piece may also reflect Bacon's personal struggles with identity and sexuality, symbolising his internal conflict and emotional turbulence. Overall, Bacon’s strategic use of colour amplifies the psychological impact of the work, immersing the viewer in a disturbing, emotionally charged landscape.
For further information on the original painting please visit the Francis Bacon Estate page: https://www.francis-bacon.com/artworks/paintings/triptych-4
Provenance
Published and printed by the Galerie Lelong, ParisPublications
Bruno Sabatier, Francis Bacon, The Graphic Work, no. 25Alexandre Tacou, Francis Bacon, Estampes, no. 27