Andy Warhol: Chanel (F & S II.354)
Andy Warhol: Chanel (F & S II.354) framed
Andy Warhol
Chanel (F & S II.354), 1985
Screenprint on Lenox Museum Board
96.5 x 96.5 cm.
38 x 38 in.
38 x 38 in.
Edition of 190 (plus proofs)
Signed and numbered in pencil
Edition of 190 with further 30 AP's (artist proofs), 5 PP's (printers proofs), 5 EP's (exhibition proofs), 10 HC's (hors commerce - not for sale), 10 numbered in Roman numerals,...
Edition of 190 with further 30 AP's (artist proofs), 5 PP's (printers proofs), 5 EP's (exhibition proofs), 10 HC's (hors commerce - not for sale), 10 numbered in Roman numerals, 1 BAT (good to print), and 30 TP's (each a unique trial proof). From the portfolio of 10 screenprints.
Chanel, a screenprint from Andy Warhol’s 1985 Ads series, vividly illustrates the profound influence of consumer culture on his artistic vision. The print features a bottle of Chanel No. 5 perfume, rendered in Warhol's signature style. Pink gestural lines accentuate the bottle's sleek and modern design, set against a subdued background that contrasts with the more vibrant prints in the series. Warhol's depiction transforms the Chanel bottle into a symbol of luxury, sophistication, and consumerism, highlighting its prominence in popular culture.
The screenprint captures the opulent essence of Chanel No. 5, almost making the fragrance seem tangible. The bottle's vibrant colours stand out against a dark gradient, creating an illusion of depth and allure. This portrayal aligns with the luxury branding of Chanel, embodying Warhol's exploration of consumerism and the pursuit of an affluent lifestyle. The bottle’s association with Marilyn Monroe’s famed signature scent underscores Warhol’s keen awareness of the capitalistic culture he both depicted and critiqued through his art. Warhol’s personal connection to perfume—evidenced by his collection of "semi-used bottles" and his request for a bottle of Estee Lauder’s "Beautiful" to be buried with him—reveals his fascination with how commercial products permeate personal and artistic identity.
Chanel epitomises Warhol’s distinctive style, blending ready-made commercial objects with themes of opulence. The artwork reflects Warhol's unique ability to merge vintage charm with modern sensibilities, capturing both the accessible and enigmatic aspects of his creative genius.
Chanel, a screenprint from Andy Warhol’s 1985 Ads series, vividly illustrates the profound influence of consumer culture on his artistic vision. The print features a bottle of Chanel No. 5 perfume, rendered in Warhol's signature style. Pink gestural lines accentuate the bottle's sleek and modern design, set against a subdued background that contrasts with the more vibrant prints in the series. Warhol's depiction transforms the Chanel bottle into a symbol of luxury, sophistication, and consumerism, highlighting its prominence in popular culture.
The screenprint captures the opulent essence of Chanel No. 5, almost making the fragrance seem tangible. The bottle's vibrant colours stand out against a dark gradient, creating an illusion of depth and allure. This portrayal aligns with the luxury branding of Chanel, embodying Warhol's exploration of consumerism and the pursuit of an affluent lifestyle. The bottle’s association with Marilyn Monroe’s famed signature scent underscores Warhol’s keen awareness of the capitalistic culture he both depicted and critiqued through his art. Warhol’s personal connection to perfume—evidenced by his collection of "semi-used bottles" and his request for a bottle of Estee Lauder’s "Beautiful" to be buried with him—reveals his fascination with how commercial products permeate personal and artistic identity.
Chanel epitomises Warhol’s distinctive style, blending ready-made commercial objects with themes of opulence. The artwork reflects Warhol's unique ability to merge vintage charm with modern sensibilities, capturing both the accessible and enigmatic aspects of his creative genius.