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Mao (F & S. II 99)
"His silkscreen technique allows for the mass production of Mao’s image, reinforcing the theme of replication that is central to both propaganda and celebrity culture."
Warhol’s fascination with how society consumes images shines through in his Mao series (1972), where he explores the intersection of consumer culture and political power. By presenting Mao’s image in vibrant pop-art colours, Warhol diminishes the gravity typically associated with a political leader, almost transforming him into a brand. This approach critiques the way mass media and consumerism can commodify even the most powerful symbols.
Created shortly after Nixon’s 1972 trip to China—a pivotal moment in Cold War politics that signalled a thaw in U.S.-China relations—Warhol’s Mao reflects this cultural exchange. It brings a figure emblematic of communist ideals into the realm of Western pop culture, creating a visual dialogue between two opposing ideological worlds.
Warhol applies his signature vibrant palette to transform Mao’s sombre, official portrait into a lively, almost playful series. The use of unconventional colours—such as bright blues, greens, and purples—introduces an air of irreverence, suggesting a critique of the seriousness with which leaders are often depicted. His silkscreen technique allows for the mass production of Mao’s image, reinforcing the theme of replication that is central to both propaganda and celebrity culture.
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Buy or sell Mao (F & S. II 99) by Andy Warhol at Andipa Editions
Buy Andy Warhol Mao (F & S. II 99)
Andipa Editions, as part of Andipa, have been at the forefront of the Warhol market for over 20 years. To enquire about buying Mao (F & S. II 99) by Andy Warhol, contact us via sales@andipa.com or on +44 (0) 20 7589 2371.
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