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Portrait of Michel Leiris
Francis Bacon once said to Michel Leiris, "You are the only one to have understood and been able to put into words all sorts of things which I have tried to do". He also said, "I know that it is quite a privilege that the greatest writer of our time has written texts about me”.
Francis Bacon's after Portrait de Michel Leiris is a striking testament to his ability to transmute his subjects, transforming them beyond mere representation into profound psychological landscapes. This work, depicting Bacon's close friend, the renowned French surrealist writer and anthropologist Michel Leiris, is an evocative extension of Bacon's 1976 oil painting of the same name, which resides in the Musée National d'Art Moderne in Paris. Through this portrait, Bacon not only captures the physical likeness of Leiris but also delves into the depths of his subject’s inner world, blending emotion, intellect, and existential turmoil into a singular, arresting image.
Bacon’s mastery in this piece lies in his extraordinary ability to dissect and reassemble the human form. His technique of distorting and deconstructing the features of his subjects, as seen in Leiris’ portrait, transcends the boundaries of traditional portraiture, merging the physical with the metaphysical. This approach echoes Bacon’s deep engagement with themes of identity, fragility, and the passage of time. He doesn’t merely paint Leiris as he is; he paints the essence of Leiris, capturing the complexities, anxieties, and layered persona of a man who lived on the fringes of surrealism and anthropology. It’s this psychological depth that elevates the portrait beyond a simple depiction, transforming it into an exploration of the human condition itself.
In this work, Bacon uses frenetic swirls and sweeping strokes of colour to obliterate the subject’s features, allowing only certain elements to emerge clearly. The face is reduced to a dynamic, almost chaotic array of lines and forms, yet the right eye of Leiris remains strikingly intact. This eye acts as an anchor, drawing the viewer into the swirling vortex of colour and emotion, serving as a focal point that grounds the tumultuous energy of the composition. It’s as if Bacon is offering a glimpse into the soul of Leiris, while simultaneously reminding us of the distortions and disarray that underlie human existence.
Bacon’s ability to transmute his subjects places him as a significant figure in the evolution of modern portraiture, drawing comparisons to the psychological intensity found in Edvard Munch's iconic The Scream from 1893. While Munch’s work expressed a primal, existential outcry, Bacon’s approach was more nuanced and multifaceted, blending elements of horror, beauty, and intimacy. He managed to evoke the internal struggles of his subjects in a way that feels both intensely personal and universally resonant. By contorting and warping the familiar, Bacon forces the viewer to confront the often unsettling realities of human experience, breaking down the barriers between identity and abstraction.
The after Portrait de Michel Leiris is, therefore, more than just an image of a man—it is a manifestation of Bacon’s philosophy that the human experience is inherently chaotic, fragmented, and transient. By distorting Leiris’ features, Bacon reveals the fragility and vulnerability that lie beneath the surface of all individuals transforming them into embodiments of raw emotion, stripping away the masks that society imposes and exposing the fundamental truths that lie beneath.
In Bacon’s hands, Michel Leiris becomes both himself and a symbol of the existential questions that haunt every human being. The portrait stands as a paradigm of Bacon’s ability to transmute his subjects, transforming flesh and form into profound, visceral expressions of the human spirit. It encapsulates the essence of Bacon’s approach to art—one that does not shy away from the grotesque or the uncomfortable but instead embraces these elements to unearth the deeper, often hidden, layers of reality.
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