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screenprint of Andy Warhol's Marilyn Monroe 29 pink hair, bright neon pink background and eye brows, bright neon orange face and tan lips Andy Warhol: Marilyn (F&S II.22), 1967
Andy Warhol, Marilyn Monroe (F & S II.22), 1967

Andy Warhol

Marilyn Monroe (F & S II.22), 1967
Screenprint on paper
91.4 x 91.4 cm.
36 x 36 in.
Edition of 250 (plus proofs)
Signed in pencil and numbered with a rubber stamp on verso; some signed in ball-point pen; some initialled on verso; some dated.
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Further images

  • (View a larger image of thumbnail 1 ) screenprint of Andy Warhol's Marilyn Monroe 29 pink hair, bright neon pink background and eye brows, bright neon orange face and tan lips
  • (View a larger image of thumbnail 2 ) Andy Warhol, Marilyn Monroe (F & S II.22), 1967
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Edition of 250, plus 26 AP (artist proofs) signed and lettered A-Z on verso. From the portfolio of 10 screenprints. In 1967, Andy Warhol released his Marilyn Monroe Portfolio, a...
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Edition of 250, plus 26 AP (artist proofs) signed and lettered A-Z on verso. From the portfolio of 10 screenprints.

In 1967, Andy Warhol released his Marilyn Monroe Portfolio, a collection of ten silkscreen prints showcasing the iconic Hollywood actress in his distinctive Pop Art style. This series stands among Warhol’s most valuable and recognizable works, reflecting his significant impact on 1960s culture. Known for elevating everyday American items like Campbell's soup cans to high art, Warhol also achieved notoriety for his celebrity portraits, which solidified his influence as a cultural icon.

The Marilyn Monroe Portfolio is particularly noteworthy for transforming Monroe into a timeless icon. Warhol's portrayal immortalises her, making her a symbol of Hollywood glamour and the alluring promise of success in the entertainment industry. By depicting Monroe as the embodiment of the superficial American Dream, Warhol captured the essence of 20th-century fame and the fantasy of American achievement. His focus on highly visible and marketable images underscores his acute understanding of what captivates the public’s imagination.

Monroe’s persona, commodified by the media, became more celebrated than her real-life self. She epitomises celebrity, cultural impact, and the American Dream, reflecting how Warhol’s art often blurred the lines between real and manufactured personas. In this way, Monroe became Warhol’s quintessential muse, perfectly aligning with his artistic philosophies centred on mass production and consumer culture.
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Provenance

Published by Factory Additions, New York and printed by Aetna Silkscreen Products, Inc., New York

Publications

Frayda Feldman, and Jörg Schellmann. "Andy Warhol Prints: a Catalogue Raisonne 1962-1987." (2003) ii.278.
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