Damien Hirst
Memento 1, 2008
Hand-inked photogravure on 400 gsm Velin d'Arches paper
Image: 93.3 x 85.8 cm.
Sheet: 119.6 x 108.4 cm.
Framed: 125 x 113.5 cm (49.2 x 44.7 in.)
Sheet: 119.6 x 108.4 cm.
Framed: 125 x 113.5 cm (49.2 x 44.7 in.)
Edition X / XXX
Signed by the artist on the front and numbered on the reverse
£24,000 GBP (+ vat for UK)
Further images
A portfolio of 13 etchings. Edition of 30. Each print signed by the artist on the front and numbered on the reverse in Roman numerals. Each set numbered on the...
A portfolio of 13 etchings. Edition of 30. Each print signed by the artist on the front and numbered on the reverse in Roman numerals. Each set numbered on the colophon page.
In Memento 1, Damien Hirst returns to one of his most iconic motifs: the butterfly, rendered here with jewel-like precision against a stark black background. This rich, velvety composition is at once intimate and monumental, capturing the dual nature of the butterfly as both a symbol of beauty and a memento mori.
Throughout his career, Hirst has used butterflies to explore mortality, transcendence, and the fleeting nature of existence. In Memento 1, this symbolism is distilled into a single, haunting image. The title, taken from the Latin memento mori (“remember you must die”), reminds us that beauty is brief, and that life, however dazzling, is finite.
Elegant and visceral, Memento 1 is more than a study in natural perfection; it is a meditation on impermanence. It invites quiet reflection, even reverence, and offers viewers a moment of stillness in which to contemplate the delicate balance between life and loss.
In Memento 1, Damien Hirst returns to one of his most iconic motifs: the butterfly, rendered here with jewel-like precision against a stark black background. This rich, velvety composition is at once intimate and monumental, capturing the dual nature of the butterfly as both a symbol of beauty and a memento mori.
Throughout his career, Hirst has used butterflies to explore mortality, transcendence, and the fleeting nature of existence. In Memento 1, this symbolism is distilled into a single, haunting image. The title, taken from the Latin memento mori (“remember you must die”), reminds us that beauty is brief, and that life, however dazzling, is finite.
Elegant and visceral, Memento 1 is more than a study in natural perfection; it is a meditation on impermanence. It invites quiet reflection, even reverence, and offers viewers a moment of stillness in which to contemplate the delicate balance between life and loss.
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