Given the stark contrast between these two personalities – one German, the other American; one a political commentator, the other a proponent of superficiality – what inspired Warhol to create this particular work featuring Beuys? The answer lies in their meeting in 1979 in New York. During their encounter, they engaged in polite conversation, and Warhol asked if he could take a Polaroid photograph of Beuys. Although Beuys agreed, art critic David Bourdon likened the encounter to "two rival popes meeting in Avignon," highlighting their status as giants of modern art from opposite ends of the spectrum. Nevertheless, it's evident that Warhol admired Beuys, as he commented, "I like the politics of Beuys. He should come to the U.S and be politically active there... He should be President.". Explore Andy Warhol portrait of Joseph Beuys.
As a skilled portrait artist, Warhol managed to capture elements of Beuys' personality while staying true to his distinctive visual style. Beuys is depicted in his signature boiler hat and suit. Interestingly, Warhol chose to add colour to the image in each state of the print but refrained from using his usual vibrant colour blocks, which were a hallmark of his Pop Art style. This selective use of colour can be interpreted as Warhol's way of showing respect for the conceptual artist while maintaining a serious tone in the image.
In contrast, in 1986, Keith Haring, primarily known for his iconic dancing matchstick figures, barking dogs, and extraterrestrials, created a silkscreen on canvas print featuring Joseph Beuys. This work is a departure from Haring's usual style and serves as a testament to Beuys' significance as one of the most influential conceptual artists of the twentieth century. Beuys' art was deeply rooted in social and political themes, aligning with Haring's belief that art should stimulate the imagination and inspire people to take action.
In Haring's portrait of Beuys, bold lines emphasise the contours of his face, creating an impression that Beuys is a part of a tree trunk. Traditionally, trees symbolise wisdom and life, indicating Haring's admiration for his fellow artist. Notably, Beuys had passed away in the year of this print's creation, marking a poignant tribute to a visionary figure in the art world.
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