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David Hockney Marries an Old Maid
‘I don’t think much changes between 18 and 80, except that your body doesn’t look as good.’ Hockney
Marries an Old Maid is a signed, numbered etching, part of an edition of 50, from David Hockney’s seminal A Rake’s Progress series. Loosely referencing William Hogarth’s 1753 tale of a wealthy ‘Rake’ about town, Hockney reinvents the narrative for a modern ‘Rake’ based on himself, a young gay artist visiting New York, for the first time in the summer of 1961.Whilst most of the artworks do not directly relate to the richly textured tapestry of the original version, Marries an Old Maid is closer to the original storytelling, resembling Hogarth’s artwork, Married to an Old Maid. Two figures poke out from a dark archway that appears as if it’s the entrance to a chapel: one figure is clearly rendered as the ‘Rake’, tall and lean with his thinly brimmed glasses, whilst the other is obscured but is a female figure dressed in a loose gown and veil, associated with holy virginal figures.Hockney contrasts the outsider status of the ‘Rake,’ casual in short sleeved tee and trousers against the inherent sacredness of the religious ceremony and rituals. The two figures are arm in arm, presumably just married under the chapel archway, which Hockney conveys with ‘halo’ lines around the edge, cementing the sacredness of this union.Like the famed story of Dante’s Divine Comedy, whose soul transitioned through the passages of hell, purgatory and heaven on his life journey, this modern tale takes the gay ‘outsider’ through multiple passages of life. It’s disconcerting for the viewer to see the young gay man enter into the tradition of marriage with his female partner but this is another passage of life before he can find resolution and happiness in his own homosexual skin. -
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