Andy Warhol: Rebel Without a Cause (James Dean) (F&S 355)
Andy Warhol: Rebel Without a Cause (James Dean) (F&S 355) framed
Andy Warhol
Rebel Without a Cause (James Dean) (F & S II.355), 1985
Screenprint on Lenox Museum Board
96.5 x 96.5 cm.
38 x 38 in.
38 x 38 in.
Edition of 190 (plus proofs)
Signed and numbered in pencil
Edition of 190 with further 30 AP's (artist proofs), 5 PP's (printers proofs), 5 EP's (exhibition proofs), 10 HC's (hors commerce - not for sale), 10 numbered in Roman numerals,...
Edition of 190 with further 30 AP's (artist proofs), 5 PP's (printers proofs), 5 EP's (exhibition proofs), 10 HC's (hors commerce - not for sale), 10 numbered in Roman numerals, 1 BAT (good to print), and 30 TP's (each a unique trial proof).
In this vibrant and striking print from his 1985 Ads series, Andy Warhol presents American icon James Dean in a bold, colourful fashion. Warhol's approach in this series, which features American consumer culture icons in vivid hues, clearly reflects his early career as a commercial illustrator in New York.
The print showcases Dean in a cartoon-like style, emphasising Warhol's background in illustration. A ghostly, almost ethereal second image of Dean hovers behind him, evoking the character's internal struggles and the film’s exploration of morality, rebellion, and parent-child conflicts. This visual juxtaposition resonates with Warhol's fascination with the American Dream and its inherent flaws. The use of intense colours not only highlights Warhol’s passion for popular culture but also underscores his talent for transforming everyday subjects into compelling art.
Warhol’s Ads series challenges traditional art forms by reimagining commercial imagery as high art. By elevating everyday advertisements to the status of art, Warhol critiques and celebrates the intersection of art and commerce, reflecting his belief in the powerful role of visual culture in shaping public perception.
In this vibrant and striking print from his 1985 Ads series, Andy Warhol presents American icon James Dean in a bold, colourful fashion. Warhol's approach in this series, which features American consumer culture icons in vivid hues, clearly reflects his early career as a commercial illustrator in New York.
The print showcases Dean in a cartoon-like style, emphasising Warhol's background in illustration. A ghostly, almost ethereal second image of Dean hovers behind him, evoking the character's internal struggles and the film’s exploration of morality, rebellion, and parent-child conflicts. This visual juxtaposition resonates with Warhol's fascination with the American Dream and its inherent flaws. The use of intense colours not only highlights Warhol’s passion for popular culture but also underscores his talent for transforming everyday subjects into compelling art.
Warhol’s Ads series challenges traditional art forms by reimagining commercial imagery as high art. By elevating everyday advertisements to the status of art, Warhol critiques and celebrates the intersection of art and commerce, reflecting his belief in the powerful role of visual culture in shaping public perception.