Edition of 100, Original Lithograph, on Toyoshi 80 paper, signed and dated by the artist in pencil.

In 1979, British artist David Hockney partnered with printmakers Gemini G.E.L. on a series of lithographs of his good friend and muse
Celia Birtwell. Birtwell was a textile designer and was the wife of Ossie Clark, an established fashion designer in London during the 1960s and 1970s. Hockney is quoted as saying, “Celia is one of the few girls I know really well. I don’t bother getting the likeness in her face because I know it so well. She has many faces and I think if you looked through all the drawings I’ve done of her, you’d see that they don’t look alike.” In comparing this work with “Celia - Weary” , this print illustrates this sentiment.

The variation he captured is quite remarkable, as he conveys her expression with so few strokes. This work and others like it, are a symbol of friendship at its finest, one that has lasted over half a century, and continues to this day. Working at home the artist used large brushes and liquid washes in varying intensities to paint on aluminium plates. There were 5 images made for printed editions reflecting Celia’s moods and attitudes: Celia Musing,

Celia Weary, Celia Amused, Celia Inquiring and Celia Elegant. The image was used as a theatrical poster advertising the world premiere of Michael Cristofer's comedy 'The Lady & The Clarinet' (starring Stockard Channing and directed by Gordon Davidson)
for the 1980-1981 season at the Mark Taper Forum in Los Angeles.