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ANDY WARHOL LONDON: From the collection of Andipa

Past exhibition
12 January - 29 February 2024
warhol soup for sale

Andy Warhol

Campbell’s Soup II (F & S II.58) (Chicken n Dumplings), 1969
Screenprint on paper.
88.9 x 58.42 cm.
35 x 23 in.
Edition of 250 (plus proofs)
Signed in ball-point pen and numbered with a rubber stamp on verso. There are 26 AP signed and lettered A-Z in ball-point pen on verso.
send me info
%3Cdiv%20class%3D%22artist%22%3EAndy%20Warhol%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3ECampbell%E2%80%99s%20Soup%20II%20%28F%20%26%20S%20II.58%29%20%28Chicken%20n%20Dumplings%29%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E1969%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EScreenprint%20on%20paper.%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E88.9%20x%2058.42%20cm.%3Cbr/%3E%0A35%20x%2023%20in.%3C/div%3E%3Cdiv%20class%3D%22edition_details%22%3EEdition%20of%20250%20%28plus%20proofs%29%3C/div%3E%3Cdiv%20class%3D%22signed_and_dated%22%3ESigned%20in%20ball-point%20pen%20and%20numbered%20with%20a%20rubber%20stamp%20on%20verso.%20There%20are%2026%20AP%20signed%20and%20lettered%20A-Z%20in%20ball-point%20pen%20on%20verso.%3C/div%3E
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Chicken ‘n Dumplings is a 1969 print from Andy Warhol’s Campbell’s Soup Cans II portfolio, created a year after his original Campbell’s Soup Can series. What distinguishes this portfolio from...
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Chicken ‘n Dumplings is a 1969 print from Andy Warhol’s Campbell’s Soup Cans II portfolio, created a year after his original Campbell’s Soup Can series. What distinguishes this portfolio from its predecessor is Warhol’s use of bolder, brighter colours and an advanced screen-printing technique, allowing him to depict the soup cans with striking realism. Through this process, Warhol transforms commercial imagery into fine art.
Warhol found inspiration in materialism and mass production, viewing them as the truest expressions of contemporary reality. In contrast to the Abstract Expressionists, who drew from human emotion and experience, Warhol celebrated consumer products that were often overlooked as mere commodities. By highlighting their beauty, he challenged the public to reconsider what qualifies as art, asking, "Why not this?" Warhol’s ability to elevate the ordinary into the extraordinary reflects his belief that even the most mundane items can inspire artistic creation. His portrayal of common objects, like soup cans, captures a shared experience among consumers and the broader American public, creating art that is both accessible and relatable.
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Publications

Frayda Feldman, and Jörg Schellmann. "Andy Warhol Prints: a Catalogue Raisonne 1962-1987." (2003) ii.278.
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