Femmes Fatales | Andy Warhol | Roy Lichtenstein: Iconic Women. Iconic Art.

  • /ˌfam fəˈtɑːl/

    noun

     

    1. an attractive and seductive woman, especially one who is likely to cause distress or disaster to a man who becomes involved with her.

      "a femme fatale who plays one man off against another in pursuit of money"

     


     


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    The term originates from the French phrase "femme fatale", which means 'deadly woman' or 'lethal woman'. A femme fatale tries to achieve her hidden purpose by using feminine wiles such as beauty, charm, or sexual allure. In many cases, her attitude towards sexuality is lackadaisical, intriguing, or frivolous. She may also be (or imply that she is) a victim, caught in a situation from which she cannot escape.

    View available Roy Lichtenstein prints or continue to viewing room below.

     


     

  • Roy Lichtenstein, Reverie, 1965

    Roy Lichtenstein

    Reverie, 1965
    Screenprint on smooth white wove
    29 1/4 x 24 in.
    75.6 x 61.0 cm
    £ POA GBP
  • Stepford Wives

    An almost photographic, turbulent snapshot

     


     

    Anonymous faces stare out from his art as we, the viewers, ponder the lives of the women presented to us in an almost photographic, turbulent snapshot. Whether in danger or experiencing a heartbreak, Lichtenstein’s ladies have an ethereal almost Stepford Wives quality about them. They inhabit a space that is both familiar and uncanny and oscillate between these two distinct realms. The damsel in distress of Lichtenstein can be seen through how we, as the viewer, are unaware of the danger or the context in which the subjects are presented

     


     

  • Art imitates Life

    A perfect moment frozen in time

     


     

    The genius in Warhol’s portrait prints and paintings is that he shares a perfect moment frozen in time where beauty becomes timeless and unchanging, where the figure transcends the person and becomes immortalised. Warhol's art causes us to ask questions as to who is the woman behind the portrait. Through the work society's obsession with celebrity is called iapproached and raises questions as to our relationship with the idols that we create.

     


     

  • Andy Warhol, Marilyn Monroe (Marilyn) (F & S II.28), 1967

    Andy Warhol

    Marilyn Monroe (Marilyn) (F & S II.28), 1967
    Screenprint on Paper
    91 x 91 cm.
    35 7/8 x 35 7/8 in.
    26 AP signed and lettered A-Z on verso

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    Explore more Andy Warhol prints available at Andipa Editions.

    For more information on any of the works featured, contact sales@andipa.com or call +44 (0)20 7589 2371.