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Andy Warhol The Shadow (F & S II. 267)
Meaning & History‘Anyone can be a cultural icon that sells, a celebrity. When celebrity is seen through its ability to sell, then being packaged to sell makes one a celebrity.’ Greg Metcalfe
The Shadow is a part of Andy Warhol’s 1981 Myths series. Famously, Warhol was lured to the glamour and extravagance of bygone Hollywood. But his collection of myths deviates much further from his usual oeuvre. Even though the subjects of his prints are well-known cultural icons around the world, they are derived from famous fairy tales, folklore, and allegorical themes that have all been extensively publicised by the media. However, this piece is unlike the rest; it features Warhol himself.
In his self-portrait, Warhol assumes the role of "The Shadow," a masked vigilante battling crime in 1930s New York and the lead character of an American radio series that ran from 1937 to 1954. Although Warhol does not wear The Shadow's black cloak or broad-rimmed hat, the lighting in this self-portrait is such that a large shadow is thrown across his profile. This lighting creates a double portrait, featuring two Warhol’s. The shadow stretches menacingly across the print, as Warhol gazes towards us. Warhol masterfully uses colour to create contrast, as he bathes himself in a wash of red, echoing that used in The Star. In contrast, the shadow is a dark grey and lacks detail, separating man and shadow into two separate entities.
It is frequently posited that Warhol selected each character in the Myths series to represent different facets of his own identity. Some critics suggest that the separation between the figure and the shadow symbolises Warhol’s internal struggle to maintain a cryptic and enigmatic public persona. Similar to the Shadow who adopts various identities, Warhol conceals his true self and personality from the public eye.
Through the character of Shadow, Warhol makes a significant commentary on his role within American popular culture, positioning himself among a pantheon of American idols and icons. The series underscores Warhol’s belief that anyone, whether real or fictional, can achieve stardom and be universally admired, regardless of their moral standing.
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