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Artworks

Andy Warhol print of advert for Apple Macintosh with rainbow coloured apple and pink and green stripe background Andy Warhol: Apple (Macintosh) from Ads (F&S 359)

Andy Warhol

Apple (Macintosh) (F & S II.359), 1985
Screenprint on Lenox Museum Board
96.5 x 96.5 cm.
38 x 38 in.
Edition of 190 (plus proofs)
Signed and numbered in pencil
£ POA
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Edition of 190 with further 30 AP's (artist proofs), 5 PP's (printers proofs), 5 EP's (exhibition proofs), 10 HC's (hors commerce - not for sale), 10 numbered in Roman numerals,...
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Edition of 190 with further 30 AP's (artist proofs), 5 PP's (printers proofs), 5 EP's (exhibition proofs), 10 HC's (hors commerce - not for sale), 10 numbered in Roman numerals, 1 BAT (good to print), and 30 TP's (each a unique trial proof). From the portfolio of 10 screenprints.

The Apple screenprint, part of Andy Warhol’s 1985 Ads Series, exemplifies his mastery in elevating everyday consumer goods to the realm of high art. This series highlights Warhol’s fascination with American consumerism, showcasing his talent for transforming commercial symbols into art that blurs the lines between high and low culture.

This screenprint celebrates the fusion of technology, advertising, and influence. The vibrant hues reflect Warhol's engagement with American consumer culture, demonstrating his skill in making the ordinary extraordinary. Central to the artwork is the iconic Macintosh logo—a bitten apple—preserved in its original rainbow colours. Warhol infuses this symbol with his signature style, adding bold, hand-drawn lines and vivid, custom colours that enhance its visual impact. The backdrop’s crayon-like texture adds a playful, childlike quality, while the layers of paint and multiple screens used in the print contribute to its dynamic, colourful appearance.

The Ads Series, including Apple, reinterprets some of the most recognizable logos and trademarks, exploring how branding shapes American consumer behaviour. By focusing on pop culture and the power of branded imagery, Warhol's portfolio not only celebrates but also critiques the pervasive influence of advertising, cementing its status as one of his most compelling works.
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Provenance

Published by Ronald Feldman Fine Arts, Inc., New York and printed by Rupert Jasen Smith, New York

Publications

Frayda Feldman, and Jörg Schellmann. "Andy Warhol Prints: a Catalogue Raisonne 1962-1987." (2003) ii.278.
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