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Artworks

Andy Warhol, Paramount (F & S II.352), 1985

Andy Warhol

Paramount (F & S II.352), 1985
Screenprint on Lenox Museum Board
96.5 x 96.5 cm.
38 x 38 in.
Edition of 190 (plus proofs)
Signed and numbered in pencil.
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Edition of 190 with further 30 AP's (artist proofs), 5 PP's (printers proofs), 5 EP's (exhibition proofs), 10 HC's (hors commerce - not for sale), 10 numbered in Roman numerals,...
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Edition of 190 with further 30 AP's (artist proofs), 5 PP's (printers proofs), 5 EP's (exhibition proofs), 10 HC's (hors commerce - not for sale), 10 numbered in Roman numerals, 1 BAT (good to print), and 30 TP's (each a unique trial proof). From the portfolio of 10 screenprints.

Warhol employed his signature screen-printing technique to present the Paramount logo in a variety of vibrant colours against contrasting backgrounds, a hallmark of his style. This approach allowed him to replicate the image in multiple forms, mirroring the mass-production techniques of the film industry and creating a direct connection between his art and the subjects he explored. The use of the studio logo as a symbol of the glamour, fantasy, and grandeur of Hollywood fits seamlessly with Warhol's practice of elevating commercial and popular iconography to the realm of high art.
For Warhol, advertisements were more than just a subject for art—they were a way of life. Beginning his career as a commercial illustrator in the 1950s, Warhol never truly abandoned his entrepreneurial spirit. His art is deeply embedded in popular culture, marked by his pioneering approach of appropriating well-known imagery and infusing it with his unique style. The Paramount prints exemplify Warhol's innovative method of blending commercial imagery with artistic expression. They not only reinforce his status as a pivotal figure in the art world but also demonstrate his ability to transform deeply personal experiences into works that speak to the mass-produced nature of contemporary culture. Through these prints, Warhol masterfully strips away context and emotion, turning the intimate into the universal.
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Publications

Frayda Feldman, and Jörg Schellmann. "Andy Warhol Prints: a Catalogue Raisonne 1962-1987." (2003) ii.278.
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