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Obras
Andy Warhol
The Star (F & S II.267), 1981
Screenprint on Lenox Museum Board
96.5 x 96.5 cm.
38 x 38 in.
38 x 38 in.
200, 30 AP, 5 PP, 5 EP
Signed and numbered in pencil
The Shadow is a standout work from Andy Warhol’s 1981 Myths series. Known for his fascination with the glamour of old Hollywood, Warhol created iconic portraits of figures like Mick...
The Shadow is a standout work from Andy Warhol’s 1981 Myths series. Known for his fascination with the glamour of old Hollywood, Warhol created iconic portraits of figures like Mick Jagger and Marilyn Monroe. However, the Myths collection ventures beyond his usual celebrity subjects, exploring characters rooted in fairy tales, folklore, and allegory, all amplified by media influence. In a notable twist, this piece features Warhol himself.
In The Shadow, Warhol melds his recurring themes of celebrity culture and self-image with a striking self-portrait. Here, he embodies "The Shadow," a masked crime-fighter from a popular American radio series that aired from 1937 to 1954. The print features Warhol in a dual portrayal: his face, rendered in intense red washes, occupies one-third of the frame, while a large, menacing shadow dominates the rest of the space. The sharp line dividing the two parts of the image suggests a division within Warhol himself—one side vibrant and bold, the other sombre and grey.
Though Warhol never explained the deeper meaning behind this work, some interpret the dramatic shadow as a metaphor for his internal conflict, contrasting with his enigmatic public persona. Much like The Shadow, who operates under multiple identities, Warhol kept aspects of his true self hidden. Through this piece, Warhol makes a provocative statement on his place in American popular culture, asserting that anyone, real or fictional, can become a celebrated icon.
In The Shadow, Warhol melds his recurring themes of celebrity culture and self-image with a striking self-portrait. Here, he embodies "The Shadow," a masked crime-fighter from a popular American radio series that aired from 1937 to 1954. The print features Warhol in a dual portrayal: his face, rendered in intense red washes, occupies one-third of the frame, while a large, menacing shadow dominates the rest of the space. The sharp line dividing the two parts of the image suggests a division within Warhol himself—one side vibrant and bold, the other sombre and grey.
Though Warhol never explained the deeper meaning behind this work, some interpret the dramatic shadow as a metaphor for his internal conflict, contrasting with his enigmatic public persona. Much like The Shadow, who operates under multiple identities, Warhol kept aspects of his true self hidden. Through this piece, Warhol makes a provocative statement on his place in American popular culture, asserting that anyone, real or fictional, can become a celebrated icon.
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