Robert Marc’s Untitled (9697) is a refined study in abstraction, balance, and rhythm, emblematic of the artist’s mature style. Known for his deep engagement with the language of Cubism, Marc creates compositions that are both architectonic and lyrical, drawing upon the formal innovations of early 20th-century modernism while infusing them with his own distinct sensibility.
In Untitled (9697), interlocking geometric forms - angular planes, curved arcs, and intersecting lines - compose a tightly orchestrated visual field. The palette is rich yet restrained, often dominated by earthy tones, muted greys, and carefully placed accents of colour that generate a sense of depth and movement. Each shape feels precisely calibrated, contributing to an overall harmony that is at once structural and emotive.
Though non-representational, the print suggests a quiet narrative - perhaps of landscapes, figures, or architectural fragments - filtered through abstraction. Marc’s work resists literal interpretation, instead inviting viewers to engage with its formal relationships, subtle tensions, and internal logic.
Untitled (9697) stands as a testament to Robert Marc’s commitment to the purity of form and the expressive potential of abstraction. It reflects a deep reverence for the history of modern art while asserting a timeless visual language that speaks directly to the viewer’s eye and intuition.