Robert Marc’s Untitled (9732) is a masterful composition that exemplifies the artist’s deep connection to the formal language of Cubism. In this print, Marc constructs a dynamic interplay of geometric forms - overlapping planes, arcs, and contours - that seem to hover in a delicate balance between movement and stillness. The composition invites the eye to travel across its surface, tracing a visual rhythm that is both deliberate and lyrical.
Rendered in a muted, harmonious palette - often featuring warm earth tones, soft greys, and subtle contrasts - Untitled (9732) emphasizes the tactile and spatial qualities of abstract form. Marc’s use of line and shape evokes the structural rigor of architecture while maintaining an organic fluidity, suggesting the ghost of a figure, a cityscape, or a musical phrase without ever becoming literal.
Marc’s abstraction does not seek to obscure meaning but to distill it - to express mood, structure, and harmony through visual relationships alone. In Untitled (9732), we see a continuation of his dialogue with the modernist masters, but with a quiet voice that is distinctly his own: elegant, restrained, and contemplative.
This work speaks to Marc’s enduring commitment to the timeless principles of balance, proportion, and formal beauty, offering viewers an immersive experience of abstraction that feels both historic and freshly present.