Francis Bacon Study of a human body after Ingres For Sale

  • Study of a human body after Ingres

    Francis Bacon after Study of a Human Body after Ingres (1982)

    Facts | History | Meaning
    Catalogue Title

    after Study of a Human Body after Ingres (1982)

    Year 1984
    Size

    Sheet: 88 x 60.5 cm. 34 1/2 x 24 in.
    Image: 62 x 46 cm. 24 1/2 x 18 in.

    Medium Lithograph printed on Arches paper. 
    Edition

    Published and printed by la Galerie Lelong. Paris.
    -180 copies with Arabic numbering, together with a number of H.C and E.A.
    -All copies are signed in pencil on the bottom right.

  • Study of a human body after Ingres

    "Study of a Human Body after Ingres by Francis Bacon is a free interpretation inspired by the work of Jean-Auguste-Dominique Ingres. Known for his mastery of line and his meticulous attention to surface details, Ingres often highlighted the imperfections in his subjects,"

    Study of a Human Body after Ingres by Francis Bacon is a free interpretation inspired by the work of Jean-Auguste-Dominique Ingres. Known for his mastery of line and his meticulous attention to surface details, Ingres often highlighted the imperfections in his subjects, bringing a sense of realism to his classical forms. Bacon drew significant influence from Ingres, particularly in his emphasis on the importance of studies as a foundational element in the painting process. In this artwork, the curvaceous form of the torso serves as a tribute to Ingres’ delicate approach to the human figure and his methodical use of studies, blending Bacon's expressive distortion with Ingres' refined treatment of anatomical detail.


    The human figure appears twisted and abstracted, with its anatomical details obscured. The body is depicted in a way that defies traditional representation, emphasising its grotesque or unsettling nature. Bacon's use of distortion here serves to strip the figure of its identity, transforming it into a more universal symbol of the human condition. This technique often hints at the underlying psychological and existential tensions.


    Through his works, Bacon frequently presents the human body as both vulnerable and somewhat grotesque. In this piece, the figure seems to lack clear limbs or a recognisable face, focusing more on the mass and texture of the flesh. This abstraction emphasises the fragility and impermanence of the body. The title references Jean-Auguste-Dominique Ingres, a master of classical form. Bacon's reinterpretation contrasts Ingres' precise, idealised depictions of the human body with his own brutal and expressive distortions, possibly as a commentary on the nature of physical existence.


    The red colour in the background is a powerful element that heightens the intensity of the scene. It could symbolise emotions like passion, violence, or suffering, all common themes in Bacon's work.Despite the organic nature of the figure, the geometric lines and shapes in the composition create a structured environment, highlighting the tension between order and chaos in the portrayal of the human form. Bacon's work often deals with themes of existentialism, human suffering, and mortality. The distorted body here suggests a struggle or conflict within, perhaps a representation of pain or the breakdown of the human spirit.The figure's position and the lack of clear definition evoke a sense of vulnerability, emphasising the physical and emotional fragility inherent in the human experience.


    This analysis shows how Francis Bacon's use of distortion and his approach to the human body aim to provoke a visceral reaction, forcing the viewer to confront the deeper aspects of human existence and the complexities of our emotional and physical states. His work challenges traditional notions of beauty and representation, focusing instead on the raw and often unsettling aspects of being human.

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