Keith Haring’s Plate 3 from the Three Lithographs series (1985), often referred to as People Ladder, is a compelling example of his iconic visual language that blends street art energy with social commentary.

In Plate 3, Haring presents a symmetrical composition featuring two vertical stacks of six human figures each, forming a "people ladder." The figures are rendered in his signature bold lines and simplified forms, with dynamic action lines suggesting movement and energy. This motif reflects themes of unity, cooperation, and the collective human experience. The "people ladder" can be interpreted as a metaphor for community support and the interconnectedness of individuals striving toward common goals. The use of red and black enhances the visual impact, creating a sense of urgency and vitality.

Created during a period when Haring was deeply engaged with social activism, Plate 3 embodies his commitment to making art accessible and meaningful. His work often addressed issues such as AIDS awareness, apartheid, and LGBTQ+ rights. By utilizing familiar symbols and a graphic style, Haring communicated complex themes in an approachable manner.

The Three Lithographs series showcases Haring's ability to translate his street art sensibilities into fine art prints, maintaining the immediacy and vibrancy of his public works. Plate 3 from Three Lithographs stands as a testament to Keith Haring's ability to merge aesthetic innovation with profound social messages, solidifying his legacy as a pivotal figure in 20th-century art.